NK & Hyperlinear Present:
Museum Kesselhaus Herzberge
Herzbergstraße 79 (Haus 29)
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RASHAD BECKER (PAN)
currently his live sets evolve around the angle of `traditional music of notional species`, a semiabstract synthetic narrative that seems appealing to a surprisingly wide audience.
OKKYUNG LEE (EDITIONS MEGO)
She is a New York-based artist and South Korea native, has created a body of work blurring genre boundaries through collaborations and compositions while pushing the limitation of contemporary cello performance techniques. Her music draws from noise and extended techniques, jazz, Western classical, and Korean traditional and popular music.
PEDRO MAIA “WASTELAND” 16MM PERFORMANCE
Born in Vila do Conde (Portugal) 1983. Based in Berlin.
Portuguese filmmaker working mostly around the concept of Analogue Cinema, exploring the medium potentiality, and expanding the aesthetic and technological “heritage” of the classic films procedures of working with 16mm and 8mm material. His films have been presented in several film festivals and galleries, such as Tokyo Contemporary Art Museum, Armenian Center for Contemporary Experimental Art, MACBA Barcelona, Edinburgh International Film Festival, Curtas Vila do Conde, Indie Lisboa, amongst others.
Presenting solo performance as well collaborating with several musicians such as Vessel, Panda Bear, Lee Ranaldo, Fennesz, Craig Leon, Demdike Stare, Shackleton, Jacaszek, Shxcxchcxsh, Tropic of Cancer, Porto Remix Ensemble… And has been presented those performance in leading festivals like Sonar, Unsound, Berlin Atonal, All Tomorrow’s Party, Mutek, Dekmantel, TaicoClub Japan, Red Bull Music Academy, etc.; as well in renowned institutions like Serralves Museum, CA2M Centro de Arte Dos de Mayo, Eye Film Museum, Contemporary Cultural Center of Valencia, Caixa Forum, among others.
CATERINA BARBIERI (IMPORTANT RECORDS)
She is an Italian composer now based in Berlin. By means of synthesis, pattern based operations and subtractive counterpoint, her music draws severe geometries in time and space. A focus on minimalism in composition arises from a meditation on primary waveforms and exploration of the polyphonic and polyrhythmic potential of sequencers. Repetition and pattern permutation as media to perceptual insight lie at the core of her current sonic research. After finishing her studies in classical guitar and electronic music, she has researched and produced music at the renowned Elektronmusikstudion in Stockholm, where she has intensively composed for the Buchla 200 system. Her work has been performed in venues of experimental music such as The Long Now, MaerzMusik and Atonal (DE), CTM Vorspiel (DE), Goethe Institute (JP), Norbergfestival (SE), Worm (NL), Angelica (IT), De Montfort University (UK), Manchester University (UK), NTS Radio, Redbull Music Academy. Her music is released on the American label Important Records (Vertical, 2014; Patterns of Consciousness, 2017).
HACKLANDER \ HATAM
is the percussion + electronic music duo of Colin Hacklander & Farahnaz Hatam. Interested in transparency, liberation, rhythmic stability & its absence, the depth of radical material heteronomy in contemporary capitalism & the nature of our mobilised conditioning; sound as sculptural material; sound as a medium in which ideas are communicated; digital sound synthesis with SuperCollider; drums, percussion & gongs.