Concerts

Friday June 28th 2013 20:00 CONCERTS SHARP!

EYE FOR AN EAR FESTIVAL CONCERTS #1

Concerts

LUMISOKEA / MIKOMIKONA: BIRGIT SCHNEIDER & ANDREAS EBERLEIN /
JOHN HEGRE & GISLE FRØYSLAND / redFrik / TOWA: MARTA ZAPPAROLI & JULIE ROUSSE /
DEREK HOLZER / EMIDIO BUCHINHO & JOãO SILVA & PEDRO LOPES /
RESTLICHTVERSTÄRKER: SERVANDO BARREIRO & MALTE STEINER /

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Saturday June 29th 21:00 Concerts Sharp!

EYE FOR AN EAR FESTIVAL CONCERTS #2

Concerts

CIPHER SCREEN: JOHN HEGRE & GREG POPE / MARISKA DE GROOT / STEREOPHONIC SOLAR RETURN: JONATHAN GOWTHORPE & JULIEN OTTAVI & JENNY PICKETT / WAJID YASEEN & COLIN M. HACKLANDER / PEDRO LOPES / SHU LEA CHEANG / HANNES HOELZL & ALBERTO DE CAMPO

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Saturday July 6 2013 22:00

KUSUM NORMOYLE / LIBEREZ / KRUBE

Concerts

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Workshops

Monday June 24th 12:00-17:00

THE ART OF SHADER PROGRAMMING

THIS WORKSHOP IS FREE TO ATTEND AND IS A PART OF THE EYE FOR AN EAR FESTIVAL

Shaders are small programs that run on the graphic cards of computers. They are a bit strange to deal with but executes extremely fast. In this workshop we will program shaders to make realtime graphics with audio signals as input material. That means… we take some sound, draw the waveform in some way, and last apply some shader to get weird and wonderful looking shapes generated by the audio.

Please Pre-Register by sending an email to info@nkprojekt.de
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Thursday June 27th 12:00-17:00

THE ART OF SUPERCOLLIDER

THIS WORKSHOP IS FREE TO ATTEND AND IS A PART OF THE EYE FOR AN EAR FESTIVAL

SuperCollider is the text-based programming environment most often used to generate or manipulate sound, but it can also make graphics and animations. However, the graphics performance is nowhere near as fast as other environments, such as Processing. So why bother?

Please Pre-Register by sending an email to info@nkprojekt.de with the Subj line SuperCollider Workshop

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Jul 12 & 13 from 11:00 -17:00

Timbre generation with electromagnetic feedbacks in interactive and DIY electronic audio systems

This workshop is focused on electromagnetism and his implementation in sounds creation. During this workshop we will design and realize some self-built electronic systems based on electromagnetic feedback. The electromagnetic feedback can generate complex audio oscillations
and forms of non-conventional sound synthesis, which can be integrated in interactive systems. We will create new instruments for interactivity and composition, retrieving electronic components
from everyday tools, from cheap electronics or faulty items.
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News

Monday June 24th 2013 17:30-18:30 / 19:30-21:30

LECTURES: EYE FOR AN EAR FESTIVAL

MALTE STEINER: REALTIME AUDIO VISUAL PERFORMANCES WITH A GAME ENGINE

WAJID YASEEN: SYNAESTHESIA/TRANSMODAL

THESE LECTURES ARE A PART OF THE EYE FOR AN EAR FESTIVAL AND ARE FREE TO ATTEND

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Wed June 26th 18:00-21:00 / 21:15- 23:00

HISTORIES OF OPTICAL SOUND SYNTHESIS

ANDREI SMIRNOV: SOUND OUT OF PAPER

DEREK HOLZER: A BRIEF HISTORY OF OPTICAL SYNTHESIS

THESE LECTURES ARE FREE TO ATTEND AND ARE A PART OF THE EYE FOR AN EAR FESTIVAL
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Thursday June 27th 2013 19:00-22:00

OPTICAL SOUND: SCREENINGS & LECTURES

SANDRA NAUMAN- ‘Seeing Sound – MARY ELLEN BUTE (1906–1983)’

ROB MULLENDER- ON GUY SHERWIN’S Optical films

J MILO TAYLOR- Snooky the Chimp (#8 You’ll be Surprised)

THE SCREENINGS /LECTURES ARE FREE TO ATTEND AND ARE A PART OF THE EYE FOR AN EAR FESTIVAL

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