Eye for an ear festival: CONCERTS #2
CIPHER SCREEN: JOHN HEGRE & GREG POPE / MARISKA DE GROOT / STEREOPHONIC SOLAR RETURN: JONATHAN GOWTHORPE & JULIEN OTTAVI & JENNY PICKETT / WAJID YASEEN & COLIN M. HACKLANDER / PEDRO LOPES / SHU LEA CHEANG / HANNES HOELZL & ALBERTO DE CAMPO / Dr. Nexus
John Hegre & amp; Greg pope -Cipher Screen is a live art piece using 2 prepared 16mm film projectors with black film loops and a live sound feed.This work harnesses the mechanisms of film and cinema; the projector, the film material, the darkened room and synchronized sound – creating a live score and a visual and sonic interaction.
dr. nexus [bln]
solar sound modules which transform light into sound, sampling, transmitters & radios are a part of the spectrum dr. nexus is using to create an intense sonic experience.
if not playing live dr. nexus is making compositions, sound installations, sound sculptures & more…
dr. nexus has been active the last 15 years and performed and / or exhibited in several cities around Europe, such as Helsinki, Paris, Kopenhagen, Poznan, London…
Mariska de Groot QUADTONE – Lumisonic Rotera’ is a mesmerizing light-is-sound projection performance in space. Graphical patterned wheels are coding a beam of light, which portable light-sensitive speakers convert into audible frequencies.
Stereophonic Solar Return: Jonathan Gowthorpe / Julien Ottavi / Jenny Pickett
Don’t listen to the sun too long!
Wajid Yaseen & Colin Hacklander & Fredrik Olofsson- Modus/NK (UK/Germany)
‘Girth: we endure already that short instant’
An improvised drum and distorted-vocal collaboration, loosely driven by Winckel’s “thickness of the present” estimating NOW to be 600ms…the accumulated time lag of the perceptual and cognitive mechanisms of hearing… all that chronos and & tempus shit. In Bergson terms this thickness is variable…Even microseconds of light synthesize billions of electromagnetic vibrations into color…
Pedro Lopes processing analogue residues of vinyl discs, with turntables, laptop and PD
U.K.I. viral performance LIVE CODE LIVE SPAM by Shu Lea Cheang- A 70 minute non-stop hyper-jam session. As a sequel to Shu Lea Cheang’s cyberpunk cult movie I.K.U. , the replicants of U.K.I. trade sex for codes, code sexing code in noise blast out, a virus is born and multiplied to eventually infect a city! We invite noise sound artists to plug in with own laptops/devices.
Audiovisual anarchivism by Hannes hoelzl & Alberto de Campo Modern devices have huge numbers of image, video, audio and text files hidden away deep down in their operating systems. Audiovisual Anarchivism aims to free these secret libraries of borgesian dimensions from their dark dungeons so they can breathe the fresh air of audiovisual performance, and maybe find purpose in life …